Well, it’s official.
We have breached the physical and psychological barrier keeping December at bay, and are now undeniably hurtling towards Christmas.
This means it’s the perfect time to indulge in the sport of summer book buying. Whether for your beloveds, your must-be-endureds, or for yourself, books are the perfect gift.
And so, after a year of shamelessly and relentlessly pressing my own book on you, (there, I’ve done it again!) it is with much pleasure that I present the 2013 Landscapology Christmas Book Guide. Unashamedly idiosyncratic, the list covers fiction and non-fiction, books released this year and others I’ve only just discovered.
The one thing they have in common: all have inspired and fed my abiding love for the many and marvelous landscapes of this amazing planet we call home.
Landprints: the Landscape Designs of Bernard Trainor, Susan Heeger
Australian-born Trainor long ago decamped to California, and has spent the past decades building a successful practice inspired by, and giving back to the native west coast landscape. This gorgeous book includes beautiful hand-drawn landscape plans and evocative photography of the firm’s projects. One by one they demonstrate a restrained use of materials, a deep horticultural knowledge displayed in richly coloured and textured plant tapestries, and some of the most spectacular settings imaginable.
Nelson Byrd Woltz: Garden Park Community Farm, Warren T. Byrd Jr, Thomas L. Woltz, Stephen Orr (Ed.)
Thomas Woltz’s keynote presentation was one of my highlights from this year’s International Federation of Landscape Architects congress in Auckland. Earlier in the week he had collected a major prize from the New Zealand Institute of Landscape Architects for the firm’s work at Nicks Head Station. Recently, he was named by the Wall Street Journal as one of its ‘Innovators of the Year’, and practice founder Warren T. Byrd was awarded the American Society of Landscape Architects highest honour, the ASLA Medal.
Underpinning this international recognition: nearly three decades of project work that utilises manifestly beautiful design in the service of environmental resilience. Divided into four sections, representing the range of project scales and types undertaken by the firm, this book is a galvanizing touchstone, making me want to do better work every time I open the cover. Be inspired…
The Victorian City: Everyday Life in Dickens’ London, Judith Flanders
Think the Victorians were a boring, crusty lot only interested in covering the legs of pianos to avoid unnecessary excitement on the part of weak-willed gentlemen? Think again. London comes rushing off the page in all its sweaty, stinky, heaving glory in this marvelous, chewy smorgasbord of a book. Stroll familiar streets in your mind, as Judith Flanders conjures up the sights, sounds and aromas of hooves on cobbles, fires burning out of control, merchants selling door-to-door, people eating bread and jam on the street, carts lined up at turnstiles, overcrowded rooms and much, much more. A door-stopper of a book that still ends far too soon.
The Old Ways: A Journey on Foot, Robert Macfarlane
From the master of the silken phrase comes The Old Ways, Robert Macfarlane’s quest to explore the old journeys through Britain, the ones that connect people today, step-by-step, to centuries of forebears, traditions and intimate connection with the land. Macfarlane could write about taking out the rubbish in such a way as to make it feel part of a weekly ritual linking humanity across time and borders, so when he has a seriously good subject in his grasp the results are sublime. The Old Ways is such a subject. Very few things could persuade me that spending a night lying on damp rocky ground in a howling gale is a good idea, but this book goes a long way towards making it seem worthwhile.
Holloway, Robert Macfarlane, Stanley Donwood and Dan Richards
Robert Macafarlane first introduced non-British readers to the mysteries and wonders of the holloways in his previous book, Wild Places. Ancient sunken paths, holloways place the traveler half inside the earth and half in another world altogether, partly hidden from view, partly trapped between our time and one of long ago. Stanley Donwood has produced cover artworks for Radiohead; here his beautiful woodcuts introduce his work to a new audience. A tiny book, with magic in every page.
Mindfulness and the Art of Urban Living: Discovering the Good Life in the City, Adam Ford
A recent discovery, this wonderful book, by a former Priest-in-ordinary (I'm not 100% certain what that actually entails) to the Queen at the Chapel Royal, is a truly delightful call to pause and reflect on the many wonders available to city dwellers, if only we stop to notice. Australian readers will enjoy Ford's reflections on familiar places, and I was intrigued to see he too had discovered the delights of London's Abney Park Cemetery, a place I spent many hours visiting whilst researching Future Park.
More Scenes from the Rural Life, Verlyn Klinkenborg
Verlyn Klinkenborg writes a much-loved column in the New York Times, and this is his second collection of writings inspired by daily life on his small farm outside the city. I can only read a few pages at a time of this book: the writing is so wonderful it makes me shake in frustration at the man’s facility with language. Luckily I soon recover, drawn back to discover what the horses, and squirrels, and chickens are up to today. Delight in the illustrations by Nigel Peake. Read it and slip under the spell of the daily, weekly and yearly miracles of nature.
The Lost Carving: a journey to the heart of making, David Esterly
David Esterly is an American artisan, a specialist in a rarified technique of wood carving that reached its zenith in the 1600s. After the devastating 1986 fire at Hampton Court Palace, Esterly was one of a small group of artists invited to repair, research, reimagine and recreate damaged panels created by master carver Grinling Gibbons. As his family adjust to their new life in London, descriptions of the landscape of Esterly’s creekside studio intertwine with his new workspace at the palace. Hours of concentrated work are interrupted by flurries of unknowing tourists hurrying past outside. Grinling Gibbons’ London contrasts with the contemporary city. The Lost Carving is a gentle and deeply moving meditation on a life dedicated to the mastery of a physical, yet elusive artform.
Landscape as Character
Burial Rites, Hannah Kent
Regular readers will be well aware of my love of Burial Rites, the story of Agnes Magnusdottir, the last woman executed in Iceland. The harsh and complex landscape of Iceland is an undisputed major character in the book, tenderly, powerfully evoked. The weakest glow of sunshine raises hopes of redemption, but it is the cold, the cold, that binds us to Agnes as the days close in.
Flight Behaviour, Barbara Kingsolver
As a huge fan of The Poisonwood Bible and The Lacuna I awaited the release of Flight Behaviour with much wriggling restlessness. A suitably hefty tome duly arrived and I sped through early chapters, quickly throwing on the brakes to slow things down in the vain hope that an ending might be indefinitely delayed. Dellarobia Turnbow’s life is lived in Appalachian Tennessee, with a loving but constraining husband and two small children in a tiny house on her in-laws' property. An early morning encounter in the mountains behind her house changes Dellarobia’s life forever. What she originally perceives as the mountain on fire is instead a lost population of migrating monarch butterflies. What happens when the wordly concerns of research, science, and global warming intersect with the uncomfortable intimacies of a rural town? Flight Behaviour is a heart-breaking, redemptive, and enthralling year-long journey of a woman discovering life beyond any she had imagined could possibly exist.
Local is Lovely
There are many more other terrific books I’ve enjoyed: they've contributed to my knowledge and filled me with warmth, inspiration and wonder, but limited space prevents me from mentioning them all individually. The following two Australian titles are still on the night table, either in early progress, or about to be tackled.
The Biggest Estate on Earth: How Aborigines Made Australia, Bill Gammage
Published last year, it immediately started attracting awards like prickles to wooly socks. I saw Bill speak at the State Library earlier in the year, and have been saving up his book as a special treat. I've only just started it and already the depth of research is evident and compelling. His thesis: that the land Europeans perceived as 'untouched wilderness' in 1788 was in fact the result of deliberate, long-term, and continent-wide management by aborigines, who particularly used fire to manage reliable plant and animal cropping.
Let the Land Speak A History of Australia: How the land created our nation, Jackie French
Himself is nearly finished this one, which is going to be a fascinating read, if the numerous quotable facts and curiosities shared to date is anything to go by.
The last two books are also by Australian authors I've spent time with this year, whose work I'm delighted to share with you.
A Singular Vision: Harry Seidler, Helen O'Neill
I had the singular pleasure of hosting a conversation with Helen O’Neill at the Brisbane launch of her biography of Harry Seidler, the Austrian-born, Canadian-interned, Harvard-educated architect, who became one of the most divisive figures in Sydney during his four-plus decade career in that city. This beautifully produced book tells the story of the man behind the headlines. It’s a must-read for anyone interested in the development of modernist architecture in Australia, and in the stories of the many migrants who have contributed to our growth and success.
Know the Rules, Nicole Arnett Phillips
Nicole contributed so much to the success of Future Park that it gives me enormous pleasure to end my list with this limited edition book exploring her “passion for print, love for letterforms and design research and creative exploration.” Nicole has produced Know the Rules through her own private press, Glyphs and Graphemes. The success of this edition in finding an appreciative audience gives me enormous personal pleasure, and confirms my belief that I'm not alone in loving bespoke design, personal artistry and craftsmanship, and the tactile delights of books.
But now it’s over to you.
What has most inspired your connection with landscape this year? Has it been anything on the list? Perhaps something else has inspired you to think differently about your garden or park, your project, city or country.
I’d love to know, so please drop a line in the comments below.
Of course if you know anyone who’d enjoy this article, please feel free to share. There will be more from the wonderful world of landscape, architecture and design next week.
All images Amalie Wright.